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This authoritative volume brings together a team of world-class scholars to cover the full range of Old Testament backgrounds studies in a concise, up-to-date, and comprehensive manner. With expertise in various subdisciplines of Old Testament backgrounds, the authors illuminate the cultural, social, and historical contexts of the world behind the Old Testament. They introduce readers to a wide range of background materials, covering history, geography, archaeology, and ancient Near Eastern textual and iconographic studies.Meant to be used alongside traditional literature-based canonical surveys, this one-stop introduction to Old Testament backgrounds fills a gap in typical introduction to the Bible courses. It contains over 100 illustrations, including photographs, line drawings, maps, charts, and tables, which will facilitate its use in the classroom.

Legal Systems of the World is the only comprehensive reference work that covers the legal systems of every nation on earth, every state in the Union, and every province of Canada.· 400 A–Z entries on places from Scotland to Suriname, concepts and terms like legal realism and retribution, and key documents such as the Writ of Certiorari· Entries by an international team of over 350 contributors· Highly readable maps of every country in the world, from Afghanistan to Zimbabwe· Nearly 275 diagrams illustrating the legal structure of various states and countries· A glossary of hundreds of key terms like "adversarialism" and "sharia"

Among the people of Avatip, a community in the Sepik region of Papua New Guinea, the most prestigious and valued forms of wealth are personal names. In this intriguing study, Simon Harrison analyzes the significance of names in the context of Avatip ritual, cosmology, and concepts of the person, and shows how the Avatip system of names parallels the gift-exchange systems of many other Melanesian societies. In ritualized debates, which form the arena of Avatip political life, rival leaders and the groups they represent struggle in oratorical contests for the possession of strategic names, and as they do so, continually manipulate myth, ritual and cosmology. By exploiting the inner possibilities of this symbolically constituted economy, these competitive processes over the past century have been progressively transforming the political system from a relatively egalitarian type to one based on hereditary inequality and rank. The author offers a critique of the analytical separation of economy and the symbolic order, arguing that it obscures the processes of political evolution in Melanesia and disguises the fundamental similarities underlying the sociocultural diversity of the region.

Alcohol: Social Drinking in Cultural Context critically examines alcohol use across cultures and through time. This short text is a framework for students to self-consciously examine their beliefs about and use of alcohol, and a companion text for teaching the primary concepts of anthropology to first-or second year college students.

For courses in Ancient History (Ancient Near East - Egypt/Mesopotamia), Ancient Greece, Ancient Rome. This collection of primary sources focusing on the social and cultural history of the Ancient Near East, Greece, and Rome is designed to encourage students to examine issues pertaining to a broad range of themes through the analysis of relevant ancient literary and non-literary texts. Covering a wide variety of social and cultural concerns€”-ranging from marriage, family, war, and religion, to political culture, slavery, and entertainment€”-the texts are arranged thematically within a general chronological framework to provide a broad overview of life in the Ancient World. Note: This volume is the companion reader to D. Brendan Nagle's The Ancient World: A Social and Cultural H

Humphrey and Laidlaw present a new and radical general theory of ritual by drawing on an ethnographically rich account of the ritual worship of the Jains of western India. Ritual, they argue, is not a logically separate type of activity, but rather a quality that can be attributed to a wide range of everyday activities. In exploring the issue of what is distinctive about actions which are ritualized, this book makes an ambitious and controversial contribution to social and religious anthropology.

Taking a "cultural pragmatic" approach to meaning, the contributors suggest a new way of looking at the continuum that stretches between ritual and strategic action. They do so by developing, for the first time, a model of "social performance". This volume offers the first systematic and analytical framework that transforms the metaphor into a social theory and applies it to a series of facinating large-scale social and cultural processes--from September 11 and the Clinton/Lewinsky Affair, to the South African Truth and Reconciliation Commission and Willy Brandt's famous "kneefall" before the Warsaw momument.

Every day around the world there are dozens of protests both large and small. Most groups engage the local police, some get media attention, and a few are successful. Who are these people? What do they want? What do they do to get it? What effects do they ultimately have on our world?In this lively and compelling book, James Jasper, an international expert on the cultural and emotional dimensions of social movements, shows that we cannot answer these questions until we bring culture squarely into the frame. Drawing on a broad range of examples, from the Women's Movement to Occupy and the Arab Spring, Jasper makes clear that we need to appreciate fully the protestors' points of view - in other words their cultural meanings and feelings - as well as the meanings held by other strategic players, such as the police, media, politicians, and intellectuals. In fact, we can't understand our world at all without grasping the profound impact of protest.Protest: A Cultural Introduction to Social Movements is an invaluable and insightful contribution to understanding social movements for beginners and experts alike.

Where American sociologists once spurned culture, they embrace and explore it today. This introduction to some of the best theorizing in contemporary cultural sociology focuses specifically on questions of power, the sacred and cultural production. Including a major theoretical introduction defining the field's internal structure and contributions from recognized scholars, the text presents a representative range of currently available cultural analysis.

This book combines original theoretical analysis with real life case studies to examine the nature of the standoff. The author explores seven actual standoffs between anti-state groups and organizations of law enforcement (six from the United Staes and one from Peru), and the archetypal patterns of human action and cognition that move us into and out of these highly charged situations. Evoking original ideas about time, space and appropriate or anticipated action, she develops a theory of the fundamental existential indeterminacy of social life and the role improvisation can play in preventing violent outcomes.

We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff maintains, the meaningful continuities of human development only become clear when historians adopt a long perspective. Genuine revolutions―the shifts that signal the end of one period and the beginning of the next―are much rarer than we think.

With this book we see a philosopher well steeped in the Western tradition thinking through ancient Eastern disciplines, meditating on what it means to learn to breathe, and urging us all at the dawn of a new century to rediscover indigenous Asian cultures. Yogic tradition, according to Irigaray, can provide an invaluable means for restoring the vital link between the present and eternity―and for re-envisioning the patriarchal traditions of the West. Western, logocentric rationality tends to abstract the teachings of yoga from its everyday practice―most importantly, from the cultivation of breath. Lacking actual, personal experience with yoga or other Eastern spiritual practices, the Western philosophers who have tried to address Hindu and Buddhist teachings―particularly Schopenhauer―have frequently gone astray. Not so, Luce Irigaray. Incorporating her personal experience with yoga into her provocative philosophical thinking on sexual difference, Irigaray proposes a new way of understanding individuation and community in the contemporary world. She looks toward the indigenous, pre-Aryan cultures of India―which, she argues, have maintained an essentially creative ethic of sexual difference predicated on a respect for life, nature, and the feminine. Irigaray's focus on breath in this book is a natural outgrowth of the attention that she has given in previous books to the elements―air, water, and fire. By returning to fundamental human experiences―breathing and the fact of sexual difference―she finds a way out of the endless sociologizing abstractions of much contemporary thought to rethink questions of race, ethnicity, and globalization.

Screening the Los Angeles 'Riots' explores the meanings one news organization found in the landmark events of 1992, as well as those made by fifteen groups of viewers in the events' aftermath. Combining ethnographic and experimental research, Darnell M. Hunt explores how race shapes both the construction of television news and viewers' understandings of it. In the process, he engages with longstanding debates about the power of television to shape our thoughts versus our ability to resist.

Historian, philosopher, critic, playwright, journalist, and actor, Egon Friedell was a key figure in the extraordinary flowering of Viennese culture between the two world wars. His masterpiece, A Cultural History of the Modern Age, demonstrates the intellectual universality that Friedell saw as guarantor of the continuity and regeneration of European civilization. Following a brilliant opening essay on cultural history and why it should be studied, the first volume begins with an analysis of the transformation of the Medieval mind as it evolved from the Black Death to the Thirty Years War. The emphasis is on the spiritual and cultural vortex of civilization, but Friedell never forgets the European roots in pestilence, death, and superstition that animate a contrary drive toward reason, refinement, intellectual curiosity, and scientific knowledge. While these values reached their apogee during the Renaissance, Friedell shows that each cultural victory is precarious, and Europe was always in danger of slipping back into barbarism. Friedell's historical vision embraces the whole of Western culture and its development. It is a consistent probing for the divine in the world's course and is, therefore, theology; it is research into the basic forces of the human soul and is, therefore, psychology; it is the most illuminating presentation of the forms of state and society and, therefore, is politics; the most varied collection of all art-creations and is, therefore, aesthetics. Thomas Mann regarded Friedell as one of the great stylists in the German language. Like the works of the great novelist, A Cultural History of the Modern Age offers a dramatic history of the last six centuries, showing the driving forces of each age. The new introduction provides a fascinating biographical sketch of Friedell and his cultural milieu and analyzes his place in intellectual history.

The Vezo are fishing people of western Madagascar. The identity of the Vezo is not fixed by descent; rather, it is established by what they do. They are people of the sea, distinguished from the farmers around them by their economic specialism. Ethnicity is usually thought to be a consequence of inborn qualities acquired by descent, and Astuti explores the consequences of ascribing ethnic identity with reference to economic activity. Her analysis reveals that only in the cult of the dead does descent become critical, and her argument in this innovative analysis of Vezo kinship is that the people distinguish two models of the person: one determined by the past, and the other defined contextually, in the present.

What makes us human? Why do people think, feel and act as they do? What is the essence of human nature? What is the basic relationship between the individual and society? These questions have fascinated both great thinkers and ordinary humans for centuries. Now, at last, there is a solid basis for answering them, in the form of accumulated efforts and studies by thousands of psychology researchers. We no longer have to rely on navel-gazing and speculation to understand why people are the way they are - we can instead turn to solid, objective findings. This book, by an eminent social psychologist at the peak of his career, not only summarizes what we know about people - it also offers a coherent, easy-to-understand, though radical, explanation. Turning conventional wisdom on its head, the author argues that culture shaped human evolution. Contrary to theories that depict the individual's relation to society as one of victimization, endless malleability, or just a square peg in a round hole, he proposes that the individual human being is designed by nature to be part of society. Moreover, he argues that we need to briefly set aside the endless study of cultural differences to look at what most cultures have in common - because that holds the key to human nature. Culture is in our genes, although cultural differences may not be. This core theme is further developed by a powerful tour through the main dimension of human psychology. What do people want? How do people think? How do emotions operate? How do people behave? And how do they interact with each other? The answers are often surprising, and along the way the author explains how human desire, thought, feeling, and action are connected.

Fiction has power to portray historical truth. This book presents Joseph Conrad's Heart of Darkness to students and general readers as an insightful guide to the history of Europe and Africa in the late nineteenth and early twentieth centuries.· Presents a fresh perspective on Conrad's novella Heart of Darkness by presenting this fictional story as a crucial source of historical knowledge· Explains key background information for better understanding Heart of Darkness, such as how Conrad's life uniquely positioned him to chronicle social and cultural history; the colonial partitioning of Africa and the founding of the Congo Free State; and the ivory and rubber trades in the Congo and the ensuing atrocities from these lucrative industries· Provides the texts of both Heart of Darkness and Conrad's autobiographical Congo Diary along with more than 200 annotations that illuminate the links between the story and its contexts as well as identify how Conrad shaped historical facts for his fictional portrayal· Ideal for students taking classes on modern world history, European history, African history, British history, western civilization, European colonialism, exploration and empire, or imperialism

This book explores social networking sites as the digital field of cultural production by loosely drawing from Pierre Bourdieu’s notion of field and capital. The book examines four case studies on MySpace, YouTube, Second Life, and Indaba Music, and the roles and the impact they have on the music industry and musicians. In doing so, the author explores the groundbreaking developments that empower independent musicians and problematizes the emergence of a variety of issues symptomatic of social media environments at the height of convergence culture.

Endpaper and edge foxing, light tone, otherwise light wear. Solid hardcover. ; "The purpose of this study is to trace the social, cultural and historical influences on the development of the Israeli feature film from its earliest beginnings up to and including the Yom Kippur War in 1973." Contents: Acknowledgements; List of Appendices; I. Introduction; II. Major Factors in the Israeli Heritage; III. Film and Stage in the Yishuv: 1905-1973; IV. The Israeli Film-Going Public; V. An Analysis of Six Representative Israeli Films; VI. Conclusion; Appendices; Bibliography. ; Dissertations On Film; 387 pages